Katherine Balch (b. 1991) writes music that aims to capture the intimacy of existence through sound.  Often influenced by extra-musical arts, philosophy, and literature, she seeks a heterogenous yet formally cohesive aesthetic that blends lyricism with textural soundscapes.

KateL photography

KateL photography

Called "intricate" and an "exquisite sound world" by icareifyoulisten, Katherine's music has been commissioned and performed by the Tokyo, Minnesota and Albany Symphony Orchestras, the American Composer's Orchestra, Ensemble Intercontemporain, the Yale Camerata and Philharmonia, Aspen Contemporary Ensemble, Antico Moderno, FLUX Quartet, International Contemporary Ensemble, ZOFO duo, New York Youth Symphony, Alea III, wild Up and Contemporaneous, among others, in such venues as Carnegie Hall, Disney Hall, Wiener Konzerthaus (Vienna), and Suntory Hall (Tokyo). She was recently appointed Composer-in-Residence with the California Symphony, a three-year position she will hold through 2020. She is managed by Young Concert Artists Inc., where she currently holds the William B. Butz composition Chair.

Recent recognitions include fellowships from Aspen, Norfolk, Fontainebleau, and Santa Fe music festivals, LA Phil's National Composer's Intensive, several ASCAP Morton Gould Awards, a BMI student composer award, New England Conservatory’s Donald Martino Prize, Fontainebleau’s Prix du Composition, first prize in America Modern Ensemble’s 8th annual Composition Competition, Grand Prize in ISB's composition competition, Yale's Alumni Association Prize and Woods Chandler Memorial Prize, and a Charles Ives Scholarship from the American Academy of Arts and Letters.

Interested in the intersection of art, philosophy, and politics, Katherine’s particular fascination with the writings of J.J. Rousseau, F. Nietzsche, and Baron de Montesquieu has led to grants from Tufts’ Summer Scholars fund, the Undergraduate Research fund and publication in the History of European Ideas. Katherine was also recipient of Tufts' Albert H. Imlah history prize, the Russell E. Miller history prize, the Peter Belfer prize in political science, and the Class of 1942 Prize Scholarship for excellence in teaching. Explorations of political philosophy, history, and the relationship of the artist to society remain an important part of her musical identity.

Katherine received her B.A. / B.M. in the Tufts / New England Conservatory double degree program, where she double majored in history and political science at Tufts (summa cum laude) and studied composition at NEC (academic honors). Her teachers were Kati Agócs and Stratis Minakakis. She completed her M.M. at Yale School of Music as a Charles H. Ditson fellow, where she studied with Aaron Jay Kernis, Chris Theofanidis, and David Lang, and is currently pursuing her D.M.A. as a Dean's fellow at Columbia University, studying with Georg Haas and Fred Lerdahl.

Passionate about education at all levels, she is a faculty member of the Walden School in Dublin, New Hampshire and Bard College-Conservatory preparatory in the Hudson Valley. When not making or listening to music, Katherine enjoys cooking, playing with her cat, Zarathustra, various combinations of espresso and steamed milk, and the outdoors.